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SUMMARY:HubArt Theatre Company: Magic Cube - A play about friendship\, migration\, and finding home
DESCRIPTION:Join us this May for the performance of Magic Cube\, a contemporary drama by the London-based Hungarian theatre company\, HubArt. \nSix childhood friends\, two countries\, and a thousand miles between them. How do you keep a bond alive when life scatters you across Europe? Some stayed in Hungary to build a future at home\, while others moved to London to seek a new start. Through laughter and heartache\, the play follows their journey across life’s major milestones – career shifts\, marriages\, and the search for belonging. \nJust like the Rubik’s Cube\, their lives are constantly being twisted and turned by time and distance. Can they ever align the colours again\, or has the “game” become too complex to solve? Magic Cube is an honest\, relatable\, and often humorous reflection on the modern Hungarian diaspora and the enduring power of the chosen family. \nThe play is approximately 75 minutes long and will be performed in English. \n\nDirector: Blanka Molnár \nWritten by: The HubArt Ensemble \nCast: \nOrsi Antalóczy- Gabi \nAttila Bongyán- Bálint \nAnita Hornai- Natália \nÁron Kun- Alajos \nBlanka Molnár- Zita \nBarbara Tatai- Gizi \nSet and costume design: \nCsenge Réka Horváth \n\n\nAbout HubArt – Hungarian Theatre Company \nHubArt is a London-based Hungarian theatre society dedicated to bringing contemporary Hungarian culture to the UK stage. Led by Blanka Molnár\, the company focuses on creating original works and adaptations that resonate with the experience of living between two cultures. Since its founding\, HubArt has become a vital hub for the Hungarian creative community in London\, performing at venues like the Hen and Chickens Theatre\, Playground Theatre and participating in international festivals such as the Voila! Theatre Festival. Their mission is to bridge the gap between languages and borders through the universal power of storytelling. \n\n\nDon’t miss this sincere and powerful production that explores what it truly means to come home\, whether that is a place on a map or the people we love – registration is open on Eventbrite.
URL:https://euniclondon.org/event/hubart-theatre-company-magic-cube-a-play-about-friendship-migration-and-finding-home/
LOCATION:Hungarian Cultural Centre\, 10 Maiden Lane\, London\, London\, WC2E 7NA\, United Kingdom
CATEGORIES:Theatre & Dance
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ORGANIZER;CN="Liszt Institute Hungarian Cultural Centre London":MAILTO:info@hungary.org.uk
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260421T183000
DTEND;TZID=Europe/London:20260421T203000
DTSTAMP:20260605T175752
CREATED:20260408T144354Z
LAST-MODIFIED:20260408T144356Z
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SUMMARY:William Shakespeare: Hamlet - The Tragedy of Hamlet\, Prince of Denmark
DESCRIPTION:Join us this April for the adaptation of William Shakespeare’s Hamlet\, performed by the students of the University of Arts Târgu Mureș / Marosvásárhely. \nOne month. That’s how long it’s been since Hamlet’s father died. One month. That’s how long his mother waited before she remarried. One month. That’s how long Hamlet had to mourn before his father’s ghost appeared and asked him to avenge his death. The time is out of joint. And somehow\, for some reason\, it’s Hamlet who has to set it right. Someone who was supposed to be a poet now has to become a soldier. \nThe play is 130 minutes long\, including one intermission (15 minutes)\, and will be performed in Hungarian with English surtitles. \n\nDirector: Vladimir Anton \nDramaturg: Réka Dálnoky \nAssistant dramaturg: Bernadette Brok \nStage design: Măriuca Ignat and Vladimir Anton \nStage adaptation: Vladimir Anton\, Réka Dálnoky\, and Bernadette Brok \nHungarian translation: Ádám Nádasdy \nActors: Martin Berencsy\, Bence Dull\, Hunor Fazakas\, Zsolt Harsányi\, Botond Jánosi\, Péter Kiss\, Levent Kitay\, Máté Bátor Soós\, Orsolya Szilágyi\, Anna Torner \n\n\nDon’t miss out on this timeless tragedy of conscience and revenge\, translated by acclaimed Hungarian linguist and poet Ádám Nádasdy\, and brought to life by Vladimir Anton as a bold new adaptation. \nVladimir Anton is a theatre director\, university lecturer\, and the artistic director of the Csíki Játékszín Theatre. At the Bulandra Theatre in Bucharest\, he worked alongside renowned directors such as Liviu Ciulei\, Alexandru Darie\, and Yury Kordonsky\, and also served as assistant director to Francis Ford Coppola during the filming of Youth Without Youth. Early in his career\, he directed over 400 episodes of various television series. As a director\, he has worked at the Odeon Theatre in Bucharest and in numerous other theaters in Romania including Odorheiu Secuiesc\, Miercurea Ciuc and Sfântu Gheorghe\, where he staged The Dragon by Yevgeny Shvarts and Lajos Parti Nagy in 2022. His productions have received several international awards\, and his staging of Our Town in Odorheiu Secuiesc (2019) was nominated for a UNITER Award in the Best Performance category.
URL:https://euniclondon.org/event/william-shakespeare-hamlet-the-tragedy-of-hamlet-prince-of-denmark/
LOCATION:Hungarian Cultural Centre\, 10 Maiden Lane\, London\, London\, WC2E 7NA\, United Kingdom
CATEGORIES:Theatre & Dance
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ORGANIZER;CN="Liszt Institute Hungarian Cultural Centre London":MAILTO:info@hungary.org.uk
GEO:51.5102115;-0.1232743
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260409T190000
DTEND;TZID=Europe/London:20260409T203000
DTSTAMP:20260605T175752
CREATED:20260324T163003Z
LAST-MODIFIED:20260331T132116Z
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SUMMARY:Wandering the World\, Wondering How to Return – Monodrama in One Act – When Diary Notes Grow into Literature
DESCRIPTION:For five years\, acting student Anna Torner travelled across the world\, documenting her experiences and inner journey in blog posts. From London to South America\, from India to New Zealand\, her travel journals eventually grew into her 2024 novel\, Itt sem fogunk élni (~We Won’t Live Here Either)\, which traces a young woman’s coming-of-age through her diary entries. \n\nIn 2025\, Boglárka Berecz and Mátyás Dögei adapted the book for the stage\, with Péter Vargyas composing its music and writing the lyrics. Thus was born the monodrama Wandering the World\, Wondering How to Return–a sensitive and humorous theatrical piece that takes the audience through this intimate journey of self-discovery. \nThroughout Anna Torner’s creative path – moving between writing and acting – her blog posts evolved into works of literary merit\, while acting became a defining part of her life. \nJoin us for this special performance\, which aims to offer us all relatable touchstones and answers. \n\n\n\nSynopsis \nIt takes one hour to fly from Budapest to Târgu Mureș. Travelling through England\, Asia\, and South America – sometimes by bicycle\, car\, train\, on foot\, by bus\, ship\, truck\, ferry\, tractor\, boat\, or motorbike – alone\, but never completely alone\, the same journey can take five years. \nThe journey matters more than the destination. I move like a ghost through a Parisian apartment. Pink ponies in London. In the junky quarter\, I swim across the canal with you. We cycle around Southeast  Asia and New  Zealand. Without you\, I hitchhike on Mexican trucks\, my Christmas dinner is green banana boiled with callaloo leaves\, and I rewrite the rules of wild camping. Don’t look for happiness outside. I try what’s worth trying in Colombia\, dance at a Kichwa celebration in Ecuador\, travel through Peru with Tata\, and get close to the Big Dipper itself. Without you. Home is within you. By the time I return\, maybe my phone will finally ring. \nThe performance runs 1 hour and 15 minutes and will be performed in English. \n\n\n\nDirector: Boglárka Berecz\nDramaturg and musical director: Mátyás Dögei\nPerformed by: Anna Torner\nLive music and vocals: Péter Vargyas\n\n\n\nWhen a young woman gathers her savings and buys a one-way ticket to Mexico – and keeps going\, farther and farther still – she can be sure to stumble upon a thousand little stories along the way. She sleeps in roadside motels\, trucks\, tents\, and pay toilets. Cooks banana soup in a Rasta hut in Belize\, finds surrogate parents in Peru\, argues with soldiers in the Indian mountains\, and ends up in a quarantine hostel in New Zealand. She babysits\, fries doughnuts\, tends bar\, and shears sheep. She makes friendships for life. Sometimes she curses the very idea of living in the moment – and herself. Because what are a thousand adventures compared to a fulfilled love? Then she’s off again\, speeding into the sunset on a truck bed. Or moves into a flat on Dob Street\, Budapest. And then moves on once more\, always farther – until… What does it really mean to arrive? \nAnna Torner travelled the world for five years. Her novel – born from blog entries and perhaps letters never sent – is both a travelogue and a diary\, written for those who keep searching\, with endless curiosity\, for their own path. \nLeonidasz Purosz\, editor of Itt sem fogunk élni (~We Won’t Live Here Either)
URL:https://euniclondon.org/event/wandering-the-world-wondering-how-to-return-monodrama-in-one-act-when-diary-notes-grow-into-literature/
LOCATION:Hungarian Cultural Centre\, 10 Maiden Lane\, London\, London\, WC2E 7NA\, United Kingdom
CATEGORIES:Theatre & Dance
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ORGANIZER;CN="Liszt Institute Hungarian Cultural Centre London":MAILTO:info@hungary.org.uk
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260221T200000
DTEND;TZID=Europe/London:20260221T213000
DTSTAMP:20260605T175752
CREATED:20260212T122412Z
LAST-MODIFIED:20260212T122414Z
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SUMMARY:Greek Carnival: The Music of Greece
DESCRIPTION:Following last year’s sold-out performance at the Hellenic Centre\, Kourelou and the Greek Collective return\, for a proper panigiri night with live music and dances from all over Greece and Cyprus\, including songs from Thrace\, Epirus\, Macedonia\, Peloponnese\, Crete and the Aegean\, as well as timeless classics.  \nFinger food and drinks will be available to purchase at our bar.  \nJoin us for an evening of fun and celebration!  \nBouzouki: Asterios Pouftis  \nGuitar: Pavlos Melas   \nViolin: Nikos Kyrios  \nVocals and percussion: Dunja Botic 
URL:https://euniclondon.org/event/greek-carnival-the-music-of-greece/
LOCATION:The Hellenic Centre London\, 18\, 16 Paddington St\, ONLINE\, W1U 5AS\, United Kingdom
CATEGORIES:Theatre & Dance
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ORGANIZER;CN="The Hellenic Centre":MAILTO:info@helleniccentre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260214T143000
DTEND;TZID=Europe/London:20260214T163000
DTSTAMP:20260605T175752
CREATED:20260212T122455Z
LAST-MODIFIED:20260212T122457Z
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SUMMARY:Love\, Laughter and Magic: A Greek Carnival Party for Children
DESCRIPTION:Celebrate the Greek Carnival at the Hellenic Centre! Asterakia returns with an afternoon of games\, singing and dancing\, including the traditional gaitanaki\, and more creative activities. A favourite annual event introducing families to carnival traditions from across the Hellenic world\, guaranteed to be entertaining for all.  \nPlease note that all children must be accompanied by an adult and adults can only attend if they accompany a child. Kindly let a member of staff know if you do not give permission for your child’s photographs and videos to be used by the Hellenic Centre in the website\, social media and publications. \nImage credit: Photo by Asimina Giagoudaki 
URL:https://euniclondon.org/event/love-laughter-and-magic-a-greek-carnival-party-for-children/
LOCATION:The Hellenic Centre London\, 18\, 16 Paddington St\, ONLINE\, W1U 5AS\, United Kingdom
CATEGORIES:Art,Theatre & Dance
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ORGANIZER;CN="The Hellenic Centre":MAILTO:info@helleniccentre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260122T190000
DTEND;TZID=Europe/London:20260122T203000
DTSTAMP:20260605T175752
CREATED:20260113T211210Z
LAST-MODIFIED:20260113T211212Z
UID:10005446-1769108400-1769113800@euniclondon.org
SUMMARY:Shadow Fate - Theatre Performance for the Day of Hungarian Culture
DESCRIPTION:On the occasion of the Day of Hungarian Culture\, we warmly invite you to the one-act performance\, Shadow Fate on January 22\, 2026\, at Hungary House\, produced by Klebelsberg Castle Chamber Theatre. \n\nThe drama is based on the diary ‘Our Life Path’ by Sarolta Botka\, wife of Kuno von Klebelsberg. Through her perspective\, the audience can get a glimpse into the daily life of this exceptional politician and his love and marriage\, revealing a tableau of the 20th century’s dramas—from the fall of the Monarchy and Trianon\, through the two world wars\, to communist deportation. Sarolta’s viewpoint illuminates Klebelsberg’s human character and achievements\, while her post-WWII ordeals as a widow highlight the paradoxical cruelty of communism. \nFollowing her successful drama Ilona Zrinyi\, Mária Hedry brings this tumultuous life to the stage: Klebelsberg’s figure and his era’s contradictions take center stage through Sarolta’s lonely fate. The play draws on scholarly research—including works by Gábor Ujvári\, István Bethlen\, and Ignác Romsics—alongside contemporary sources\, enriched by the author’s imagination. \nCount Kuno von Klebelsberg (1875–1932) was a defining cultural politician of interwar Hungary. As Minister of Religion and Public Education (1922–1931)\, he implemented reforms to address Trianon losses: building thousands of rural schools\, modernising universities\, promoting folk education\, and founding overseas cultural institutes (Collegium Hungaricum) for national survival. \nThe 80-minute\, one-act performance will be performed in Hungarian with English subtitles. \n\n\nCast: \n\nSarolta: Edit Majzik\nEmma\, Márta\, Hubayné\, Róza\, peasant woman: Delinke Gajdó\nSzentgyörgyi\, doctor\, German officer\, Russian officer\, Hungarian comrade: Attila Petneházy\n\nSet\, costumes: Katalin Libor\nDirector: Attila Petneházy
URL:https://euniclondon.org/event/shadow-fate-theatre-performance-for-the-day-of-hungarian-culture/
LOCATION:Hungarian Cultural Centre\, 10 Maiden Lane\, London\, London\, WC2E 7NA\, United Kingdom
CATEGORIES:Theatre & Dance
ATTACH;FMTTYPE=image/jpeg:https://euniclondon.org/wp-content/uploads/2026/01/6e8a00321cf502becb44c65420665392.jpg
ORGANIZER;CN="Liszt Institute Hungarian Cultural Centre London":MAILTO:info@hungary.org.uk
GEO:51.5102115;-0.1232743
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251124T190000
DTEND;TZID=Europe/London:20251124T210000
DTSTAMP:20260605T175752
CREATED:20251027T121020Z
LAST-MODIFIED:20251027T121024Z
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SUMMARY:Radim Vizvary: Solo
DESCRIPTION:Solo is an award-winning tour de force by Radim Vizváry\, acclaimed Czech mime\, director\, choreographer\, and Artistic Director of Laterna Magica Prague. Hailed internationally\, most recently at Expo Osaka\, this spellbinding performance takes audiences on a journey through the full spectrum of pantomime — from the elegance of classical mime to the raw intensity of butoh\, from razor-sharp physical comedy to the bold invention of contemporary mime theatre. Visually striking\, deeply human\, and at times laugh-out-loud funny\, Solo is both a masterclass in wordless storytelling and pantomime reborn — timeless\, daring\, and unforgettable. \nConcept\, director and starring:: Radim Vizváry\, 90´The performance includes partial nudity 12+ \n2016 Thálie Award in the category of Ballet\, Pantomime\, or Other Dance-Drama Genre for his performance in Sólo.\nABOUT RADIM VIZVÁRYRadim Vizvary is a prominent figure in European contemporary physical mime theatre. He is a mime artist\, author\, stage director\, choreographer\, and teacher. He teaches at the Music and Dance Faculty of Prague’s Academy of Performing Arts. He holds the role of Artistic Director for The Laterna Magika Ensemble\, The Mime Prague Company\, The International Mime Fest\, and the international street festival in Tabor. Vizváry received numerous accolades in the Czech Republic\, various European countries\, and the USA\, including the 2016 Thalia Prize. \n\nVizváry’s “Solo” has become a silent legend\, still receiving standing ovations after years of playing. It shouldn’t be\, since the performer takes constant care of it and continuously modifies the individual performances. “Solo” carries a cross-section of the genre from the days of Jean Gaspard Deburau’s “Pierot” romantic pantomime\, through Marcel Marceau’s modern mime\, clownery\, and contemporary physical theatre and conceptual art… And no other production has yet emerged that has a similar ambition\, to make pantomime non-violently accessible to audiences and to show its wide range. Opera Plus \n\n\nVizváry is undoubtedly the greatest personality of contemporary mime theatre\, encompassing both its present and its classical legacy. protisedi.cz \n\n\nBOOK NOW\n\n\n\n 
URL:https://euniclondon.org/event/radim-vizvary-solo/
LOCATION:The Coronet Theatre\, 103 Notting Hill Gate\, London\, W11 3LB\, United Kingdom
CATEGORIES:Theatre & Dance
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ORGANIZER;CN="Czech Centre":MAILTO:blues@czechcentre.org.uk
GEO:51.4949568;-0.0988352
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251009T190000
DTEND;TZID=Europe/London:20251009T203000
DTSTAMP:20260605T175752
CREATED:20251013T091105Z
LAST-MODIFIED:20251013T091109Z
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SUMMARY:Theatre Performance: Telephone Conversations with Ernst Jandl
DESCRIPTION:The Austrian Cultural Forum London welcomes renowned Austrian playwright Stephan Bruckmeier and his one-man theatre show Telephone Conversations with Ernst Jandl for the first time in London. \nThis play is based on phone calls between Ernst Jandl and his editor Klaus Siblevsky. Towards the end of Jandl’s life\, the telephone was the only medium with which Ernst Jandl could still communicate with the outside world. They talked about everything\, helping us understand how Ernst Jandl lived and worked. The calls were incredibly moving and provided a rare insight into the late Austrian poet and author’s private thoughts and concerns. Later\, they were adapted into a book in cooperation with Jandl’s long-time-partner Friederike Mayröcker. Stephan Bruckmeier\, who knew Ernst Jandl personally and had a close relationship with him since 1988\, adapted the book for the stage. He performed Telephone conversations with Ernst Jandl more than 100 times during its run from 2007–2009. \nOn the occasion of the centenary of Jandl’s birthday\, we are proud to present this intimate play for the first time in London. Don’t miss this very touching\, sometimes funny\, sometimes sad tribute to a famous Austrian wordsmith. \n\nThe performance is fully accessible for a non-German speaking audience. Programmes in English will be provided. \n\n\nWritten by and starring: Stephan Bruckmeier \nMusic: Petra Pirolt (guitar) \n© Kiepenheuer Theaterverlag \n\nStephan Bruckmeier was born in 1962. Since 1985 he worked as a director\, actor and stage designer for theatre in Austria\, Germany\, USA\, Kenya\, Mozambique\, France and Hungary. He directed more than 200 theatre productions. He had close ties to Jandl since 1988.
URL:https://euniclondon.org/event/theatre-performance-telephone-conversations-with-ernst-jandl/
LOCATION:Austrian Cultural Forum London\, 28 Rutland Gate\, London\, SW7 1PQ\, United Kingdom
CATEGORIES:Theatre & Dance
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GEO:51.5001014;-0.1679188
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251001T183000
DTEND;TZID=Europe/London:20251001T203000
DTSTAMP:20260605T175752
CREATED:20250916T131927Z
LAST-MODIFIED:20250916T135827Z
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SUMMARY:Every Minute Motherland Dance Performance + Q&A
DESCRIPTION:Every Minute Motherland is a dance performance created by Maciej Kuźmiński and devised using documentary methods in response to Russia’s war of aggression against Ukraine and the ensuing refugee crisis. The piece was developed in collaboration with a Polish-Ukrainian team – including refugees – and dramaturg Paul Bargetto.\nThe work is inspired by the personal stories of the dancers and rooted in extensive laboratory-based research. It explores the effects of trauma\, exile\, and alienation\, framed by broader themes of war\, identity\, and the inescapable forces of history and geography. \nAgainst the numbing backdrop of televised and social media coverage\, the performance shifts our focus to the bodies of the witnesses – their lived experiences transcribed into movement and time\, reaching toward the spirit of ritual and myth. \nFrom Mariupol to Kharkiv\, and across every place touched by war\, artists and cultural institutions have been deliberately targeted in attempts to erase Ukrainian national identity. This project stands as an act of resistance against these crimes and a powerful statement of solidarity with Ukraine.\n\nPresented by Polish Cultural Institute in London and Adam Mickiewicz Institute as part of UK/Poland Season 2025.\nReviews of Every Minute Motherland \n“The piece\, was as oppressive as it was fascinating. […] Horrific in statement\, frighteningly beautiful in artistic execution.” \nHelmut Jasny \n“It is an evening that leaves the emotions on the stage and invites the audience to watch this meditation on mourning. Everything remains incomprehensible and at the same time directly touching.” \nTorben Ibs \n \nAbout Maciej Kuzminski \nMaciej Kuźmiński\, born in 1985\, is a freelance Polish choreographer creating since 2014. \nHis works are described as pure\, with grounded\, dynamic movement\, and revolve around existential and philosophy concepts. The artist’s creations have been presented over 300 times in 22 countries\, gradually gaining international recognition. The artist has choreographed for companies like Staatstheater Kassel\, Scapino Ballet Rotterdam\, Polish Dance Theatre\, and conservatoires like Trinity Laban\, Codarts and PERA among others. \nHis independent pieces made for Maciej Kuźmiński Company have received more than 30 awards for choreography\, making Kuźmiński one of the most often awarded Polish dance creator. After the premiere Every Minute Motherland was already presented in Luxembourg\, Vilnius\, Munster\, Munich\, Potsdam\, Cologne\, Gera\, Berlin\, Olomouc\, Maastricht\, Darmstadt\, Liege and had a tour within Poland. According to a review of German dance critic Melanie Suchy\, published in December 2022\, the piece was a “play of the year”.
URL:https://euniclondon.org/event/every-minute-motherland-dance-performance-qa/
LOCATION:The Place London\, 17 Duke's Road\, London\, London\, WC1H 9PY\, United Kingdom
CATEGORIES:Theatre & Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250903T190000
DTEND;TZID=Europe/London:20250908T200000
DTSTAMP:20260605T175752
CREATED:20250826T160611Z
LAST-MODIFIED:20250826T160612Z
UID:10005364-1756926000-1757361600@euniclondon.org
SUMMARY:The Popess: Instructions for Freedom
DESCRIPTION:The Popess: Instructions for Freedom is a bold\, fast-paced solo show that resurrects a forgotten chapter of feminist resistance—with bite\, wit\, and a hint of heresy. At its core lies a true\, largely untold story: in 13th-century Milan\, a radical religious movement led by women dared to rewrite Christian history. Their messiah? Guglielma—a woman believed to be the incarnation of the Holy Spirit. Their most audacious act? Crowning a “Popess\,” Sister Maifreda da Pirovano\, who celebrated mass on Easter Sunday in the year 1300. The Inquisition struck back with brutal force: executions\, exhumations\, and public burnings. The movement was silenced—but not forgotten. \nThe story unfolds through the eyes of Everywoman—a naive yet questioning soul caught between fear\, guilt\, and a hunger for truth. Her journey winds through spiritual longing and misguided cults before she discovers Sister Maifreda and her radical vision of female-led salvation. Enchanted by a world where women hold spiritual authority\, Everywoman is drawn into a movement that promises freedom—until that very promise provokes the Church’s full wrath. \nWith sharp humour and piercing insight\, The Popess explores the tensions between faith\, power\, and personal belief—inviting audiences to ask what freedom truly means\, especially when belief itself becomes an act of defiance. \n\n\n\n\n\n\n\nBOOK TICKETS HERE
URL:https://euniclondon.org/event/the-popess-instructions-for-freedom/
LOCATION:The Glitch\, SE1 7AE\, 134 Lower Marsh\,\, London\, SE1 7AE\, United Kingdom
CATEGORIES:Theatre & Dance
ATTACH;FMTTYPE=image/jpeg:https://euniclondon.org/wp-content/uploads/2025/07/DSCF3217-scaled.jpg
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DTSTART;TZID=Europe/London:20250614T190000
DTEND;TZID=Europe/London:20250614T210000
DTSTAMP:20260605T175752
CREATED:20250527T220657Z
LAST-MODIFIED:20250527T220659Z
UID:10005291-1749927600-1749934800@euniclondon.org
SUMMARY:MY DEAR ELEKTRA by Arianna Economou
DESCRIPTION:MY DEAR ELEKTRA is inspired by the journey of British surrealist artist\, writer and occultist Ithell Colquhoun (1906–1988) to Cyprus. She arrived in the summer of 1951 to visit her friend and fellow artist from her days at the Slade School of Art\, Elektra Megaw (1907 – 1993) and her husband Peter\, the then Director of the Department of Antiquities.     \n\nIn this performance\, Economou attempts a parallel journey in search of sacred landscapes and the divine feminine\, across the terrain of the island of Cyprus\, trying to map out the journey and possible places Megaw and Colquhoun could have visited.  \n\nThe performance is built on seven imaginary letters written by Arianna Economou addressed to Elektra Megaw\, where she accounts the experiences\, memories and reflections\, that came up during her visits to Cyprus\, in relation to the bigger oeuvre of Colquhoun.  \n\nEconomou met Elektra Megaw through their common friend\, ceramicist Lionel Miskin. \n\nThe performance is inspired by the artworks Colquhoun made with Cyprus as stimulus.  \n\nDirection / Choreography / Performer: Arianna Economou  \n\nMusic: Giorgos Bizios  \n\nVisuals / Scenic Design/ performer: Charis Iacovou   \n\nVideo Art Film: Artemis Evlogimenou    \n\nArianna Economou wishes to thank Jacqui MacIntosh for her inspiring talk at NIMAC\, Elena Parpa and Ruth Keshishian\, for their valuable assistance with research material on Ithell Colquhoun.  \n\nProduction: Echo Arts / Culture 2024 / Deputy Ministry of Culture   \nTickets\n\n\n£12/10 concession\nBooking via Eventbrite or 020 7487 5060
URL:https://euniclondon.org/event/my-dear-elektra-by-arianna-economou/
LOCATION:The Hellenic Centre\, 16-18 Paddington St \, London\, W1U 5AS\, United Kingdom
CATEGORIES:Theatre & Dance
ATTACH;FMTTYPE=image/jpeg:https://euniclondon.org/wp-content/uploads/2025/03/1.jpg
ORGANIZER;CN="The Hellenic Centre":MAILTO:info@helleniccentre.org
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DTSTART;TZID=Europe/London:20250612T190000
DTEND;TZID=Europe/London:20250612T203000
DTSTAMP:20260605T175752
CREATED:20250610T204755Z
LAST-MODIFIED:20250610T204756Z
UID:10005346-1749754800-1749760200@euniclondon.org
SUMMARY:The Double Bass
DESCRIPTION:‘You can have an orchestra without a first violin\, without wind instruments\, without brass\, without a timpani\, but you can’t have an orchestra without a double bass.’\n\nIn Patrick Süskind’s much-loved one-act play ‘The Double Bass’ (Der Kontrabaß)\, the playwright portrays a life gone wrong with humour and irony\, interpreted by actor Viktor Klem.\n\nThe Double Bass (Der Kontrabaß) is a direct conversation between musician and spectator. The double bass player is honest about his life\, his love\, his relationship with music and society\, his weaknesses\, and even plays on his instrument in between his monologues.  The musician protagonist believes his instrument to be the most important in an orchestra\, even though one couldn’t tell. Throughout his solitary reflections\, it becomes clear that he\, in fact\, hates his double bass and that the instrument itself is the main cause of all his frustrations. The question is whether he can change his life and finally get the attention of his secretly adored young soprano singer.\n\n‘The protagonist of the original work is exactly twice my age. But the questions and problems he raises are as much for a young man of today as for an experienced musician about to retire…’ /Viktor Klem/\n\nRuntime: 1 hour 10 minutes\, without intermission.\n\nPerformed in Hungarian with English subtitles.
URL:https://euniclondon.org/event/the-double-bass/
LOCATION:17-19\, 17-19 Cockspur Street\, London\, SW1Y 5BL\, United Kingdom
CATEGORIES:Theatre & Dance
ATTACH;FMTTYPE=image/jpeg:https://euniclondon.org/wp-content/uploads/2025/06/Double-Bass_Eventbrite.jpg
ORGANIZER;CN="Liszt Institute Hungarian Cultural Centre London":MAILTO:info@hungary.org.uk
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