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DTSTART;TZID=Europe/London:20260430T190000
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DTSTAMP:20260520T113603
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SUMMARY:Third Person (Plural): A Cinematic Essay by Aikaterini Gegisian
DESCRIPTION:Third Person (Plural) is Aikaterini Gegisian’s feature-length cinematic essay\, built from over 200 postwar U.S. informational films and newsreels drawn from the Library of Congress and the National Archives. What begins as an exploration of early European integration history unfolds into a feminist re-reading of the masculine gaze that shaped the ‘new world order’.   \nThis layered work unfolds across a multi-screen installation\, a feature-length essay film\, and an artist’s book. Originating as a quest to source documents of early European integration processes in the post-war United States\, the project unfolds into an expansive feminist re-reading of the hegemonic masculine gaze and its manifestation in material images. The work is a bracing encounter with the gaze that produced the ‘image’ of the world as the new\, Western order\, bound by the notion of a united Europe\, the delirium of the Cold War\, and decolonisation processes. Casting a female gaze upon this history\, Third Person (Plural) reclaims the unseen perspectives that haunt the margins of official narratives\, making visible a collective ‘third person’.  \nGegisian will be joined by Shoair Mavlian\, Director of The Photographers’ Gallery\, for a discussion and Q&A.
URL:https://euniclondon.org/event/third-person-plural-a-cinematic-essay-by-aikaterini-gegisian/
LOCATION:The Hellenic Centre\, 18\, 16 Paddington St\, London\, W1U 5AS\, United Kingdom
CATEGORIES:Art,Film
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DTSTART;TZID=Europe/London:20251113T190000
DTEND;TZID=Europe/London:20251113T200000
DTSTAMP:20260520T113603
CREATED:20250826T163306Z
LAST-MODIFIED:20250826T163307Z
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SUMMARY:Echo: Dorothy Cross in Conversation with Iwona Blazwick
DESCRIPTION:For the third conversation of Echo\, curator Iwona Blazwick speaks with Irish artist Dorothy Cross about her work and how her forms and images resonate with myth and metamorphosis. Being human in relation to the natural world is a motif running through the sculpture\, film & photography of Cross\, connecting her work with the animist beliefs of the ancient world. The talk will be followed by a Q&A session.  \nCross came to prominence in the 1990s with her use of the skins and udders of cows to create surreal draped figures reminiscent of Christian statuary. Throughout her career she has continued to cast animal\, plant and human forms – ranging from jellyfish and foxgloves to skulls and fingers – making sculptures and films that create metamorphic synergies between us and non-human species. Most recently Cross has turned to carving marble\, the material of Antiquity. Sourcing an astonishing range of geological colours and striations\, she carves exquisitely rendered feet as part of the stone yet emerging from it.  Rather than pairs of feet\, single or multiple feet are captured in the act of walking\, like the petrified ghosts of our ancestors. She has commented. ‘Good art should make you consider yourself in relation to time\, which means in relation to birth\, life and death’. Dorothy Cross’ oeuvre resonates with the winged or four legged gods and goddesses of Greco-Roman statuary and with ancient systems of belief where the non-human world was understood as sentient and magical.    \nImage: Dorothy Cross\, Poll Na bPéist\, 2008\, Archival pigment print 
URL:https://euniclondon.org/event/echo-dorothy-cross-in-conversation-with-iwona-blazwick/
LOCATION:The Hellenic Centre\, 18\, 16 Paddington St\, London\, W1U 5AS\, United Kingdom
CATEGORIES:Art,Talks
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